latexperiment doesn’t try to please the masses. It’s slow, personal, and sometimes strange. That’s precisely what makes it essential. There’s a sense of trust between the creator and the viewer — almost like being invited into someone’s sketchbook instead of a showroom. It’s not always polished, and that’s the point.

Sometimes I wonder if Raymond is even still active, and then suddenly, something drops — a new shoot, a new model, a new mood. And every single time, it reminds me why I’m still here. This isn’t fast content. This is a world you step into, slowly. And I’m okay with that. I have no reason to cancel, but all reasons to support the artist and the models. 

Let’s be honest — latex content online is often a visual nightmare. But here? It’s clean. Emotional. Sharp. Beautiful. No cringe poses, no sleaze, no cheap clickbait. Just focused on creativity, especially in the Highstyle category. That’s why I keep coming back for 8 years now. Wonderful models, a reachable photographer, and not a big company trying to sell BS.

I’ve seen so many latex shoots that look like Comic-Con leftovers. latexperiment is different. It’s styled, intentional, and timeless. The clothing fits like a second skin, not a costume.

Latex is not the problem. What people do with it is. But here, it’s treated as material for ideas, not porn material. Raymond manages to make latex thoughtful, even poetic. That’s why I trust and recommend it to people who usually roll their eyes at anything shiny. I wish I were young enough to model for him.

This site feels like a private space. You don’t scroll through it like social media. You breathe with it. The textures, often the silence between updates, the way particular looks return months later in new form, it’s like watching someone think aloud. That takes courage.

I don’t know Raymond personally, but through latexperiment on IG, I feel like I do. The way he writes, shoots, and shares, there’s a human behind it all. And that makes a massive difference in a world full of empty, often even just eye-catching, erotic content.

I love the final shots, but I’d kill to see more of the process. The setup, the missteps, the unexpected moments. There’s so much elegance in the raw preparation. Give us a little more of the ‘how’, not just the ‘wow’.

Some people post latex for shock. Others for attention. But this? This is latex as a language. As an idea. It feels like every photo is saying something, if you're willing to listen. Sadly, I don't live near Cologne. I would love to try latex and shoot in it.

Sometimes I wish updates came more often, or that some shoots weren’t teased and then never finished. But I also get it. It’s not mass production. It’s curated. So yeah, I wait. And when it drops, it hits.

There’s enough noise online. Cheap latex shoots, plastic glamour, forced sexiness. But here, every detail feels intentional. The lighting, the mood, the posture. It’s erotic without trying to be — and that’s the difference between art and clickbait. Thank you for not turning this amazing website into a blatant erotic platform.

Over the years, there were a few faces I truly connected with. Not in a personal way, but visually—emotionally. It’s always bittersweet when they disappear. I know people move on.. The ones who really ‘got’ what latexperiment is about? They were unforgettable, like Leila Herring.

There’s a subtle power in Raymond’s work. It’s not loud, not screaming for attention, and yet it sticks with you. The way latex is treated here — with respect, with curiosity, with a sharp visual eye — shows that fashion can be a narrative tool. I’m not just browsing images; I’m absorbing a vision. That’s rare. I keep coming back and seeing the development over the years.

I admire what Raymond is building here. There’s taste, there’s direction, and there’s a clear refusal to follow the cheap route. But sometimes it feels like there’s a wall between the creator and the community. There’s so much curiosity, but very little dialogue. A little more transparency — maybe even some real talk in between shoots — would make this feel more alive. Still, I’ll wait. Because I care.

I’ve been following latexperiment for years. It didn’t show up overnight — and that’s what I love about it. It grew. Carefully. With clear choices, upgraded gear, better storytelling, and even deeper themes. You can see the learning curve, but it never felt like trial and error. It felt like watching someone build a language in silence. Every update feels like another word added to the sentence. If I were 40 years younger, I would probably try latex myself.

I remember seeing teasers for projects that never really materialized. A model mentioned, a storyline hinted at, a concept briefly shown — and then silence. I get that not everything can be finished. But I’d love to see more follow-through, even if it’s messy. Even if it’s unfinished. That vulnerability would only add to the beauty.

I’ve followed so many latex accounts over the years that started with taste — and ended up as soft porn. latexperiment never went that route. Raymond keeps the vision sharp, the message strong, and the style untouched. That deserves real respect.

Some models left too soon. You build a connection as a viewer, then poof, gone. Like Gia Felino, who was fantastic. I know that’s life, but damn, some of them brought something special to latexperiment. I’d love to see more behind-the-scenes or longer collaborations again.

The level of technical care that goes into these videos is undeniable. The lighting is good, and the resolution, wow. 4K HDR now isn’t just a number here; you feel it. The textures, the shadows, even the skin. But yeah, I’ll admit: sometimes my older tablet chokes. Still, I’d rather have something too sharp than too lazy. This isn’t for the lowest denominator. It’s made for those who want to see everything. And that’s rare.